The Ultimate Threesome Retreat
Chris Bylsma, Ginger Luters, & Candace Eisner Strick

 

72 Women Studying Knitting Techniques

3 Great Designing Teachers

3 Days of Fun

1 Evening Boat Ride

1 Evening of Yarn Bingo, Games and Prizes

One Place Cynthia's!

On October 9, 10, and 11, 2009

 

Instructors:  Chris Bylsma, Ginger Luters, & Candace Eisner Strick!

 

Scroll down for all the wonderful information you will find out about each instructor.  It will give you some insite about each designer, their qualifications, and some of the things they have accomplished!

                                           

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                  Bios of all three fabulous designers!

                                                          Chris's Biography

 

"Chris retired from a career in marketing communications and advertising to pursue her artistic passion, knitting and texture play, at home in Madison, WI. Instead, she is having a wonderful time teaching workshops coast to coast – and beyond – for TNNA, shops, guilds and conferences and has her own line of knitting patterns available through retail yarn shops. She has also designed knit garments for the American Girl clothing line (the girls, not dolls).
Noted for her Crayon Box Jacket™, wearable classic designs with a contemporary flair and her love of color, Chris’ approach to knitting is that the process and the end product should both be a joy and designs with that in mind. She is also a Master Gardener and considers knitting and gardening closely intertwined with their play of colors, textures and light.  She encourages knitters to “color outside the lines” where it’s more fun, and to “think outside the box” (she is sometimes accused of actually not having a box)".
 

Checking in with Chris Bylsma

Posted by Peggy McMullen March 07, 2008 17:13PM

Categories: Classes, Events, Profiles
Chris Bylsma -- who will be in town later this month -- is known for her designs that are a kaleidoscope of color and texture, playing with a basket full of different yarns.

Her Crayon Box Jacket is probably the one she's instantly recognized for, with the distinctive drop-stitch in her Ladder Scarf and Ladder Shawl also generating a share of fans.

Her mantra, from her Web site, is that, in knitting, "the process and the end product should both be a joy," and she designs with that in mind. She "encourages knitters to 'color outside the lines' where it's more fun, and to 'think outside the box' (she has occasionally been accused of actually not having a box."

Mini Crayon Box Jacket

Her entrance into the knitting design world came after she "retired from a career in marketing communications and advertising to pursue her artistic passion - knitting and textureplay. She teaches workshops coast to coast for guilds, TNNA, conferences and shops and in her hometown, Madison, Wis. In addition, she has her own line of knitting patterns available through retail yarn stores. "

Chris will be at the Yarn Garden March 29-30 to teach the tricks to her color work, dropped stitches and finishing techniques. (For details on her workshops, go to Yarn Garden's Web site or our posting on March 4.

In preparation for her Portland visit, Chris chatted with us by email about her knitting, her patterns and Norway.

Read on for our interview.


 

How and when did you learn to knit? Do you remember your first project?
I probably learned by osmosis as my grandmother, mother and two older sisters all knit . I have a photo of me sitting next to my mother when I was 3 years old. She was knitting and I was holding the ball of yarn. I was probably about 7 when I became a "serious" knitter although I have no memory of it, or of not knitting! I knit at summer camp when cabin mates were sanding canoe paddles, I traded riding lessons for sweaters for the stable owners, and I knit my way through college finals. In the corporate world I knitted my own "St. John knits for the financially challenged."

How did you get into being a knitwear designer?
Accidentally! I was working part time in a local yarn shop "feeding my habit" after I retired from the corporate world. The shop owner invited me to attend TNNA, The National NeedleArts Association, trade show. I wore my Crayon Box Jacket and discovered I was very "politically correct" -- every yarn manufacturer noticed their own yarn in the jacket instantly as if I were wearing a photo of their grandchild! It made quite a stir and I was invited to teach the jacket at the next TNNA trade show. In fact, I met Linda Carter, owner of the Yarn Garden in Portland, in the very first workshop I taught and we have been great friends since. That's when the business was born.

What was your first published pattern?
The Crayon Box Jacket.

Do you have one that is the most popular? Or a personal favorite?
The Crayon Box Jacket is still the most popular because it gives everyone an excuse to play with all the fun yarns they have always wanted to try and no two jackets are ever alike. I would have to say it's my sentimental favorite.

We know this isn't the case, but you've sort of made your mark in designs that, er, share a look with some of our mistakes: dropped stitches, had an itch to knit late at night but not enough of one yarn so put something together with a bunch of odds and ends ... Were any of your designs born of things like that?
Of course!! Necessity is the mother of invention! But those aren't odds and ends, those are treasures, morsels, and great friends just waiting to create great things. And drop stitches are not only great fun but require less yarn and less knitting in a project and have SO many fun uses! That's one of the workshops I will be doing when I'm in Portland. In fact, I just counted my patterns on my site and realize that 16 of the designs use dropped stitches -- can you find them all?

Key West Jacket
I'm always looking for new ways to play with color, add vertical lines, or mix textures that are enjoyable and easy since I don't have the patience for fair isle or intarsia. For instance, the vertical lines on the Madly Plaid Vest and Key West are created with a crochet chain in each purl stitch channel after the items are knit, not by carrying the contrast yarn. As an independent designer I also have the ability to combine yarns without concern that they may be from different companies, so I do.


Can you give us a small peek into your design process? Do you find you have a certain way your projects go together, like color comes first than shape or vice versa?
Wish I could tell you I sit down, sketch a fabulous design and throw it on the needles. Doesn't happen. I have no design background, although my older sister says I used to make my own clothes for my cutout dolls. :-) For me, it's often a more practical beginning, such as "what do I need in my wardrobe"? (Most of my designs are simply my wardrobe, by the way.) My goal is to create items that are classic, timeless and wearable for many years.
It will usually start with a shape, or function -- "I need an all purpose winter suit jackety thing that goes with everything". That is how the Twenty-Four/Seven Jacket came about, for instance, which I do wear everywhere with everything. The color part is purely choosing something I will wear and enjoy knitting. Since the Twenty-Four/Seven Jacket is a simple seed stitch it gave me the opportunity to play with color and texture by combining two yarns for added interest, and it gives each knitter an opportunity to play as well and come up with a new combination.
Or, a project may start with a pile of yarn itching to be something, such as the Symphony Jacket, which is a very basic shape knitted with 15 different summer weight cottons and ribbons all combined at random. It's a great bind-mending way of working with yarns, casserole style.
I also do a LOT of swatching for yarn weight, fiber, gauge, pattern stitch, shaping options, details such as armhole shaping, cuffs, pockets, collars, etc. to work out all the components before beginning the actual garment or item. It's like putting together a jigsaw puzzle. I probably knit the equivalent of two garments before I'm done! I'm a stickler for finishing, by the way, so a garment is truly wearable and does justice to the knitting. I will be sharing some of my favorite techniques, which are really EASY, when I am at the Yarn Garden in Portland.

I have to ask just because of the name of the jacket: Do you use crayons to sketch out design ideas?
No. In fact, I always joke that I have to knit since I can't draw. The name Crayon Box Jacket refers to that big box of brand new crayons when you start school in fall. What crayons (colors) you use and how is completely up to you. (As the youngest in my family, my crayons were just stubs in a cigar box so the thought of a fresh box of crayons is pretty enticing to me.)

That trip to Norway on your site looks pretty fabulous. How'd that come about? Is this an annual thing or have you done trips like that before?
Wanna join us??? Such serendipity! I was invited to lead a knitter's trip to Ireland last September that was just fabulous. We met with local knitters wherever we went, stayed in wonderful hotels with marvelous meals, great sights, an incredible guide, perfect! The wonderful woman who arranged that trip is an independent travel agent and also a yarn rep (Dale of Norway), a knitter, and a fluent Norwegian. Since I am part Norwegian myself we decided to join forces and put together a similar "dream trip" to Bergen, Norway, the fjord country, and Copenhagen, Denmark, for knitters (and also non-knitters, like my husband) from Sept. 18-28. We will go to Dale of Norway, of course, and knit and eat and shop our way through Scandinavia! All the details have been taken care of with round trip air on SAS, hotels, meals, trip insurance, the works. There are a few spots left so clear your calendars! Details are on my site.

What are you working on these days? Do you have a book in the offing?
I'm swatching! Working out new pattern ideas, hopefully. I am having fun designing patterns and traveling around doing workshops so there is no time, or thought, of doing a book. The "people part" is more enjoyable to me.

The following are a few questions we like to ask all our interviews:
What's on your needles these days?
Swatches at this point. Ask me again next week when it may be "something."

Are you a one-at-a-time knitter or do you have multiple projects going?
I usually am working on one project "on the needles" but other ideas may be bubbling in my head.

What was your favorite thing you ever knit?
Unfair question! It's like asking who is my favorite child!

Do you have a knitting tip you'd like to share?
Yes. RELAX! It's just knitting, and in the grand scheme of life knitting is friendly, non-threatening and flexible. If you make a mistake consider it "research". Give yourself permission to explore and play with yarn. See what happens and enjoy the journey.

Twenty-Four Seven jacket

 

 


                             

 Chris's web site:  www.chrisbylsmadesigns.com

                                                   

                                                     Ginger’s Biography

Ginger Luters is a California based designer of knitted wearable art and a nationally known creative knitting teacher. She has an MA in Fine Art and taught knitting, weaving, and design classes at Saddleback College in southern California for twelve years. Ginger is known for her innovative modular knitting techniques and patterns and her work focuses on the exciting use of color, unusual construction approaches, and simple, elegant garment shapes.

 
For many years Ginger has traveled extensively throughout the United States, Canada and internationally, teaching creative knitting workshops.  She teaches at most of the Stitches events and her designs and articles have appeared in a variety of publications, including Knitter's, Vogue Knitting, Knit ‘n Style and KnitNet, an online knitting magazine. She is the author of Module Magic, an XRX book that explores a variety of modular knitting techniques and patterns. In addition, she designs for several yarn companies, most recently Mountain Colors and Lorna’s Laces.
 
Ginger was born in Salt Lake City, Utah, but has spent most of her life in California. She’s married to Arnie, a retired airline pilot and they have two grown sons, both of whom are also airline pilots. She now lives in Grass Valley, CA, a small town in the gold rush country of northern California. She loves living in this mountainous rural environment.
 
 
Ginger’s art background influences her approach to designing knitwear and explains her love of hand painted yarns. Her studio is lined with skeins of these colorful yarns, providing an inspiring, colorful backdrop as she designs on her computer or knits

Sally Melville loves all aspects of life as a ‘professional’ knitter: teaching, writing, designing, and explaining what this all means!  And what does it mean?  It means an extensive teaching schedule that takes her all over the world, speaking to wonderful folk who can appreciate the perfect buttonhole, who love the textures and colors and techniques of knitting, who want to be more intuitive about their craft, and who know that life is about learning.

 

                                                  

 

                                        Biography: Candace Eisner Strick
 
            Learning both music and knitting at the age of three, Candace Eisner Strick has followed these two loves all her life. She was co-director and cello instructor of the Suzuki String Program of Mansfield, CT for 16 years. She is the author of Sweaters From a New England Village (Down East Books, 1996), a book about Harrisville, NH which features twenty original designs using Harrisville Designs yarn. Her second book, Sweaters From New England Sheep Farms (Down East Books, 2000) is a series of portraits of eight New England sheep farmers who hand-dye the wool they produce, and includes over 25 original designs using their fiber. Her third knitting book, Beyond Wool (Martingale and Co., Feb. 2004), uses a variety of fibers other than wool. There are chapters about the fibers as well as 25 original designs. Her fourth book, The Quilter's Quick Reference Guide, was released in June, 2004 by Martingale and Co. Her fifth publication, Little Box of Crocheted Bags, was released in March 2006 by Martingale and Co. Her sixth book, Knit One, Stripe Too, was released by Martingale and Co. in October, 2008.  Her designs and writing have appeared in Knitter's Magazine, Interweave Knits, Vogue Knitting, Knit It Magazine, Wild Fiber Magazine, Cast On Magazine, Vogue Knitting books and Interweave Knitting books. Candace designs for yarn companies while she and her husband run their internet based business, www.Strickwear.com, which features her exclusive designs, and her new line of yarn, Merging Colors.          
            Candace teaches workshops internationally at major knitting conventions and guilds. Her other fiber related interests include spinning, weaving, dyeing and quilting. When not doing the above, she is riding her bicycle. She lives in rural Connecticut with her pianist/knitting husband and 2 birds. She has three grown sons, all of whom know how to knit but refuse to do so.
 
 
LIST OF PUBLICATIONS
Sweaters From a New England Village, 20 Original Pattersn Featuring Harrisville Designs Yarn, by Candace Eisner Strick, 1996 Down East Books, 122 pages
 
Sweaters From New England Sheep Farms, 26 Original Patterns in Hand-Dyed and Natural Colored Yarn, by Candace Eisner Strick, 2000 Down East Books, 128 pages
 
Christmas Stockings, 18 Holiday Treasures to Knit, 2001 Interweave Press, Inc.
Austrian Alpine Treasure
 
Beyond Wool, by Candace Eisner Strick
Martingale and Co., Feb. 2004
 
The Quilter's Quick Reference Guide by Candace Eisner Strick
Martingale and Co., June 2004
 
Little Box of Crocheted Bags by Candace Eisner Strick
Martingale and Co., March 2006
 
Knit One, Stripe Too by Candace Eisner Strick
Martingale and Co.,Oct, 2007
 
Interweave Knits Magazine, Summer, 1997
Ravelings Column, "Sickness or Passion?"
 
Fashion Knitting (now Knit N Style), Oct, 1997
Braid and Lattice Pullover
 
Interweave Knits Magazine, Winter 00/01
Austrian Socks
 
Knitter's Magazine, Spring 2000
Mitered Mozart Sweater
 
Knit It Magazine (Dec. 2002)
Scarf and child's sweater outfit
 
Vogue On the Go Books, Crochet Scarves
Crochet scarf
 
Cast On Magazine, Fall 2003
Dorm socks
 
Cast On Magazine, Winter, 2003
Cover design and article: Austrian Mittens and Hat
 
Wild Fibers Magazine, Summer 2005
Stradivarius Stole
 
Vogue Knitting Magazine, Spring,2006
Mobius Capelet
 
Vogue Knitting Magazine, Fall, 2006
Socks: By Invitation Only
 
Knitter’s Magazine, Fall, 2006
Austrian Socks  
 
Favorite Socks: 25 Timeless Designs from Interweave
Interweave Press, 2007
Austrian Socks
 
Vogue Knitting: The Ultimate Sock Book
Sixth&Spring Books, 2007
Austrian Socks
 
Interweave Knits Magazine, Spring 2007
Strickwear Merging Colors Scarf
 
Knitter's Magazine, Spring 2008
Nordic Stars Sweater
 
Knit 'N Style Magazine, August 2008
Surf and Turf (cover)
 
 
Published designs by Lion Brand Yarn,  Louet, Plymouth Yarn, Universal Yarn, South West Trading Company, Harrisville Designs, Renaissance Wool (now out of business), Tregellys Fiber and Dye Studio, Chasing Rainbows, Oakgrove Yarns, Ellen's 1/2 Pint Farm, A Touch of Twist , Windy Valley Musk Ox Farm, Royal Alpaca Spinnery
 

There you go 3 fabulous designers all in one place  ............ At Cynthia's!

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